There was a gentle rustling of skirts. He then barred and double-locked the door, took out the key, (a precautionary measure which, with a grim smile, he said he never omitted,) thrust it into his vest, and motioning the couple to follow him, led the way to the inner room. She did not resist him, she could not. She was aware of him—a silk-hatted, shiny-black figure on the opposite side of the Avenue; and then, abruptly and startlingly, he crossed the road and saluted and spoke to her. “Why do you kill me?” Michelle asked. Like the flaws of an old marble. Why? Because Howard Spurlock the author dared not risk the liberty of Howard Spurlock the malefactor; because there were still some dregs in this cup of irony. For the first time, perhaps, in his life, he repented of his brutality. Fritz sang for her sometimes, for Fritz could sing even before he was able to form words. "Can't you see? I can't hurt her, if … if she cares! I can't tell her I'm a madman as well as a thief!… What a fool! What a fool!" A thief. "You've ruined my hopes. But if he's in bed, how the devil is he going with me, supposing I decide to hire him? The mudhook comes up to-morrow night. The sing-song girl, her fiddle broken, was beating her forehead upon the floor and wailing: Ai, ai! Ai, ai! Spurlock—or Taber, as he called himself—sat slumped in a chair, staring with glazed eyes at nothing, absolutely uninterested in the confusion for which he was primarily accountable. "Who've you got with you?" demanded the Amazon, boldly.
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