The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. “The fact of it is, and this absurd project of yours only brings it to a head, you have begun to get hold of some very queer ideas about what a young lady in your position may or may not venture to do. There was a short, red-faced, resolute youth who inherited an authoritative attitude upon bacteriology from his father; a Japanese student of unassuming manners who drew beautifully and had an imperfect knowledge of English; and a dark, unwashed Scotchman with complicated spectacles, who would come every morning as a sort of volunteer supplementary demonstrator, look very closely at her work and her, tell her that her dissections were “fairish,” or “very fairish indeed,” or “high above the normal female standard,” hover as if for some outbreak of passionate gratitude and with admiring retrospects that made the facetted spectacles gleam like diamonds, return to his own place. “John, don’t!” she cried.
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