The little old lady struck like a projectile upon the resounding chest of the foremost of these, and then Ann Veronica had got past and was ascending the steps. Her disapproval was obvious enough. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. .
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