” “I don’t have power over men’s fates. The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. And when I have steeped him to the lips in vice and depravity; when I have led him to the commission of every crime; when there is neither retreat nor advance for him; when he has plundered his benefactor, and broken the heart of his mother—then—but not till then, I will consign him to the fate to which I consigned his father.
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