Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. ‘If you had met her, you’d understand. “Don’t think that I have been playing the spy upon you,” he continued. Money was not necessary; indeed, it would have embarrassed all concerned. ‘Alors, I see how is this. One of his converted Kanakas dropped in one day. Her hair was of the darkest brown, and finest texture; and, when unloosed, hung down to her heels. ‘I was not born to this. Ruth's gaze wandered from the printed page. ‘Quick, Gérard. He was a man who in all things classified without nuance, and for him there were in the matter of age just two feminine classes and no more—girls and women.
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